Rule of Two Walls [Tribeca Film Festival Review]

by Mike McGranaghan

We’ve all seen footage of the destruction caused by Russia’s attack on Ukraine. As horrifying as it is, being a bit complacent is still easy. It’s something going on over there, not here. The documentary Rule of Two Walls, which had its world premiere at the 2023 Tribeca Film Festival, makes complacency impossible. Director David Gutnik and his team follow artists, including themselves, attempting to deal with the war through their creativity. It leaves you angry at the injustice Ukrainian citizens are enduring, but also inspired by their determination to stand up for the country they love.

The title refers to a safety procedure of vacating to hallways when bombs start to hit, as being between two walls slightly reduces the risk of harm. Gutnik introduces us to people who all have something in common – they realize Vladimir Putin isn’t just physically attacking Ukraine, he’s also trying to destroy its culture. They’re intent on pushing back by producing art that celebrates the country. A rapper verbally takes on Russia in an angry protest song. Two young women design pro-Ukraine/anti-Russia posters that they glue onto buildings and bridges. A painter creates stunning images that address the suffering of children as a result of the war. What they collectively come up with speaks powerfully to national pride, while also boldly condemning the actions of Russia.

Of course, Rule of Two Walls is itself one of these artistic endeavors. The documentary does not shy away from showing the disturbing reality of what Ukraine is going through. Authorities attempt to extinguish burning corpses. Mass graves are dug. Bodies are found in the street, including one with its head blown off. An artillery shell remains lodged in the road it struck, protruding from the ground as a constant reminder. As difficult as it can be to view parts of the movie, not looking away is vital. We can’t ignore what’s taking place in Ukraine because it’s a stark reminder of Putin’s ruthlessness and desire for conquest.

Mixing footage of the artists with footage of the destruction proves haunting. It forcefully illustrates how essential holding on to the culture is if Ukraine is going to survive this ordeal. Rule of Two Walls is perhaps best represented by drone footage of a big, beautiful performance theater, partially reduced to rubble by Russian bombs. Putin knows taking away art can be devastating to a country’s morale. The people we meet in this harrowing, gripping film are ensuring he won’t succeed on that count.

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